I have written over 200 blog posts since the end of February 2017. Of those blog posts, 20 (10%) include a reference to my love and history of dancing. This love seemed to be born in me, and nurtured throughout my youth. Even as I get older, if I’m not dancing on the floor to music, my mind is dancing to the music I create with words. That dance performance can be spied through the brisk movements of my hands as they quickly move upon my keyboard. Continue reading →
In the 1970s, I was just a small girl going to elementary school in eastern Pennsylvania. Each class level had about two teachers, with the students divided between the two. Other than “library time” when we all got in a line and made the procession to the library (to see the librarian), all classes were held in the same classroom. A separate art teacher came to our class with a cart full of art supplies, and the designated music teacher came with numerous instruments, like tambourines, triangles, egg shakers, recorders and kazoos. You can imagine the “music” we created with that lot of instruments, but it was so fun! I remember the music teacher even having us dance around the room as if following the Pied Piper. Continue reading →
Have you ever thought about some hobby, lessons, type of exercise, or similar that you used to do when you were younger that you suddenly stopped? Then years later you thought to yourself, “Dang! If only I had only continued that instead of quitting. I’d be so much better off now for X and/or Y reasons.” Continue reading →
I don’t know how long it’s been exactly, but I’d say at least four years. It was back then that for me the music stopped sounding good, or at least it stopped invigorating my soul. How to really explain it, I do not know.
I was a dancer from the first days that I remember. Music was central in my life. Live jazz played in my grandparents’ music room. Classical music in the dance studio. I liked Rock and Roll the whole time, too. Really any music satisfied me, and I could dance to almost anything, even the buzzing of the street lamp, or the sound of a rope slapping the flag pole in the wind. Continue reading →
Audience members under the shed roof, and outside on the grass at the Tanglewood Music Festival in the Berkeshires of Massachussetts (Koussevitzsky Music Shed)
About five or so years ago, my husband and I had the joy of attending the concerts at the well-known Tanglewood Music Festival in the beautiful Berkshire Hills of western Massachusetts. Tanglewood is the famed summer home of the Boston Symphony Orchestra, and is an open-air shed, covered by a roof, but no walls on its sides. Continue reading →
I frequently use the word magnet to describe my attraction and/or repulsion to places, things and people. The word magnet even reminds me of how I sometimes repel them in my mind, but deep down have an attraction, or vice versa. I call this the third phenomenon of magnetism, where two magnets spin, being drawn together and repelled intermittently, kind of like a yo-yo effect. Where the magnets end up (which force wins out), one will eventually see. Continue reading →
Anyone whose known me for a while, knows I love to dance. Sometimes I crank up the music in my car, and have a blast! Yea, I definitely sing my heart out. Being in the driver’s seat doesn’t prevent me from dancing up a storm or shout. A favorite song gets me hopping in my seat, waving my arms, slapping the steering wheel like a drum. I put my foot on the clutch, shift that stick, step on the gas pedal moving my whole body, and shifting my bum . Vrooooom, vroom, vroooom, vroom, vroom, errrrrrt! Don’t worry, nobody ever gets hurt. Continue reading →
Musical quotation (directly quoting portions of another work in a new composition) has been a common practice throughout much of the history of music. For example, composers like Mozart frequently quoted portions of pieces by Johann Sebastian Bach, such as in his Piano Concerto No. 12. Richard Strauss quoted the funeral march from Beethoven’s Eroica Symphony No. 3 in his Metamophosen for 23 solo strings. Continue reading →
“I realized in the early days I just didn’t edit at all. But I think you become a little more cagey with your lyrics when you know more people are going to hear them and make assumptions about you as a person. Realizing that, you want to be a little more opaque.” – Eddie Vedder (of the band Pearl Jam)
Thanks go to Robert Matthew Goldstein of Art by Rob Goldstein for nominating me for the Five-Day Music challenge. I had a wonderful time writing these posts. To read my whole series of five day music challenge posts go to this first post. Links to the other posts follow.
Several months ago my husband and I received the annual music program from the local university in my town. We are very lucky that we live in a town with a university that attracts some of the best classical musicians and other artists in the world. This year the main focus was on Beethoven String […]