I don’t know how long it’s been exactly, but I’d say at least four years. It was back then that for me the music stopped sounding good, or at least it stopped invigorating my soul. How to really explain it, I do not know.
I was a dancer from the first days that I remember. Music was central in my life. Jazz played in my grandparents’ music room. Classical music in the dance studio. I liked Rock and Roll the whole time, too. Really any music satisfied me, and I could dance to almost anything, even the buzzing of the street lamp, or the sound of a rope slapping the flag pole in the wind. Continue reading →
Audience members under the shed roof, and outside on the grass at the Tanglewood Music Festival in the Berkeshires of Massachussetts (Koussevitzsky Music Shed)
About five or so years ago, my husband and I had the joy of attending the concerts at the well-known Tanglewood Music Festival in the beautiful Berkshire Hills of western Massachusetts. Tanglewood is the famed summer home of the Boston Symphony Orchestra, and is an open-air shed, covered by a roof, but no walls on its sides. Continue reading →
Anyone that’s read my blog for a while knows I like to dance. Sometimes I crank up the music in my car and have a blast! Yeh, I definitely sing my heart out, but sitting in the driver’s seat doesn’t prevent me from dancing up a storm, too. Continue reading →
Musical quotation (directly quoting portions of another work in a new composition) has been a common practice throughout much of the history of music. For example, composers like Mozart frequently quoted portions of pieces by Johann Sebastian Bach, such as in his Piano Concerto No. 12. Richard Strauss quoted the funeral march from Beethoven’s Eroica Symphony No. 3 in his Metamophosen for 23 solo strings. Continue reading →
Thanks go to Robert Matthew Goldstein of Art by Rob Goldstein for nominating me for the Five-Day Music challenge. I had a wonderful time writing these posts. To read my whole series of five day music challenge posts go to this first post. Links to the other posts follow.
Several months ago my husband and I received the annual music program from the local university in my town. We are very lucky that we live in a town with a university that attracts some of the best classical musicians and other artists in the world. This year the main focus was on Beethoven String […]
OK, anyone who has read any or all of my Five-Day Music Challenge posts is going to scratch their head about this one. I’m scratching my head as I type it. Yes, this is updownflight writing this. Continue reading →
At 15 years old, I experienced the first major mental breakdown of my life. I won’t go into it in detail here, but I will say that it was bad enough that my public school recommended that my parents switch me to a nearby alternative private school. I had gone through the gamut in terms of major mood fluctuation, a somewhat traumatic event. I was pressured to quit ballet after years of serious study. The love of my teenage life! Now without the rigors and routine of ballet classes I felt that I lost my identity and lost my way. Continue reading →
Thanks to Robert Matthew Goldstein of Art by Rob Goldstein for nominating me for the Five-Day Music challenge.
The rules are:
Post a song a day for five consecutive days.
Post what the lyrics mean to you. (Optional)
Post the name of the song and video
Nominate two (or one) different blogger each day of the challenge
I thought I’d start with the music that meant the most to me at the very youngest age.
I can just remember way far back to when I was two and three years old visiting my paternal grandparents’ house every single weekend, without fail. Mom mom would have baked a cake, pies, or dozens of cookies, so the whole house smelled intoxicatingly good. Then the whole family (grandparents, mom, dad, my siblings, and I, my two aunts and three uncles) would sit down to dinner, which was reliably roast beef. Continue reading →
Several months ago my husband and I received the annual music program from the local university in my town. We are very lucky that we live in a town with a university that attracts some of the best classical musicians and other artists in the world. This year the main focus was on Beethoven String Quartets, played by the Takács Quartet. The last of the performances focused on his later string quartets including the well-known Grosse Fuge Op. 133. Just imagine Beethoven at this time in 1825, already deaf, but music playing on and on in his genius head. Imagine him walking down the streets of Vienna talking to himself and humming the music, even conducting as he went along. Continue reading →